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Stars=Sophie Marceau
release year=1995
country=USA
User rating=9 of 10 stars
Writed by=Randall Wallace
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Braveheart download full movies. Braveheart download full video. Braveheart download full film. Braveheart North American theatrical release poster Directed by Mel Gibson Produced by Mel Gibson Alan Ladd Jr. Bruce Davey Written by Randall Wallace Starring Mel Gibson Sophie Marceau Patrick McGoohan Catherine McCormack Music by James Horner Cinematography John Toll Edited by Steven Rosenblum Production company Icon Productions The Ladd Company Distributed by Paramount Pictures (North America) 20th Century Fox (International) Release date May 18, 1995 ( Seattle) May 24, 1995 (United States) Running time 178 minutes Country United States [1] Language English Budget $65–70 million [2] [3] Box office $210. 4 million [2] Braveheart is a 1995 American epic war film directed and co-produced by Mel Gibson, who portrays William Wallace, a late-13th-century Scottish warrior. The film is fictionally based on the life of Wallace leading the Scots in the First War of Scottish Independence against King Edward I of England. The film also stars Sophie Marceau, Patrick McGoohan and Catherine McCormack. The story is inspired by Blind Harry 's epic poem The Actes and Deidis of the Illustre and Vallyeant Campioun Schir William Wallace and was adapted for the screen by Randall Wallace. Development on the film initially started at Metro-Goldwyn-Mayer when producer Alan Ladd Jr. picked up the project from Wallace, but when MGM was going through new management, Ladd left the studio and took the project with him. Despite initially declining, Gibson eventually decided to direct the film, as well as star as Wallace. The film was filmed in Scotland and Ireland from June to October 1994 with a budget around $65–70 million. [4] Braveheart, which was produced by Gibson's Icon Productions and The Ladd Company, was distributed by Paramount Pictures in North America and by 20th Century Fox internationally. Released on May 24, 1995, Braveheart received generally positive reviews from critics, who praised the performances, directing, production values, battle sequences, and musical score, but criticized its inaccuracies regarding Wallace's title, love interests, and attire. [5] The film grossed $75. 6 million in the US and grossed $210. 4 million worldwide. At the 68th Academy Awards, the film was nominated for ten Academy Awards and won five: Best Picture, Best Director, Best Cinematography, Best Makeup, and Best Sound Effects Editing. A sequel, Robert the Bruce, was released in 2019, with Angus Macfadyen reprising his role. Plot [ edit] In 1280, King Edward "Longshanks" invades and conquers Scotland following the death of Alexander III of Scotland, who left no heir to the throne. Young William Wallace witnesses Longshanks' treachery, survives the deaths of his father and brother, and is taken abroad on a pilgrimage throughout Europe by his paternal uncle Argyle, where he is educated. Years later, in 1297, Longshanks grants his noblemen land and privileges in Scotland, including Prima Nocte. Meanwhile, a grown Wallace returns to Scotland and falls in love with his childhood friend Murron MacClannough, and the two marry in secret. Wallace rescues Murron from being raped by English soldiers, but as she fights off their second attempt, Murron is captured and publicly executed. In retribution, Wallace leads his clan to slaughter the English garrison in his hometown and send the occupying garrison at Lanark back to England. Longshanks orders his son Prince Edward to stop Wallace by any means necessary. Alongside his friend Hamish, Wallace rebels against the English, and as his legend spreads, hundreds of Scots from the surrounding clans join him. Wallace leads his army to victory at the Battle of Stirling and then destroys the city of York, killing Longshanks' nephew and sending his severed head to the king. Wallace seeks the assistance of Robert the Bruce, the son of nobleman Robert the Elder and a contender for the Scottish crown. Robert is dominated by his father, who wishes to secure the throne for his son by submitting to the English. Worried by the threat of the rebellion, Longshanks sends his son's wife Isabella of France to try to negotiate with Wallace as a distraction for the landing of another invasion force in Scotland. After meeting him in person, Isabella becomes enamored of Wallace. She warns him of the coming invasion, and Wallace implores the Scottish nobility to take immediate action to counter the threat and take back the country, asking Robert the Bruce to lead. In 1298, leading the English army himself, Longshanks confronts the Scots at Falkirk. There, noblemen Mornay and Lochlan turn their backs on Wallace after being bribed by the king, resulting in the death of Hamish's father, Campbell. Wallace is then further betrayed when he discovers Robert the Bruce was fighting alongside Longshanks; after the battle, after seeing the damage he helped do to his countrymen, the Bruce reprimands his father and vows not to be on the wrong side again. Wallace kills Lochlan and Mornay for their betrayal, and wages a guerrilla war against the English for the next seven years, assisted by Isabella, with whom he eventually has an affair. In 1305, Robert sets up a meeting with Wallace in Edinburgh, but Robert's father has conspired with other nobles to capture and hand over Wallace to the English. Learning of his treachery, Robert disowns and banishes his father. Isabella exacts revenge on the now terminally ill Longshanks by telling him that his bloodline will be destroyed upon his death as she is now pregnant with Wallace's child. In London, Wallace is brought before an English magistrate, tried for high treason, and condemned to public torture and beheading. Even whilst being hanged, drawn and quartered, Wallace refuses to submit to the king. The watching crowd, deeply moved by the Scotsman's valor, begin crying for mercy. The magistrate offers him one final chance, asking him only to utter the word, "Mercy", and be granted a quick death. Wallace instead shouts, "Freedom! ", and the judge orders his death. As Wallace's cry rings through the square, Longshanks hears it just before dying. Moments before being decapitated, Wallace sees a vision of Murron in the crowd, smiling at him. In 1314, Robert, now Scotland's king, leads a Scottish army before a ceremonial line of English troops on the fields of Bannockburn, where he is to formally accept English rule. As he begins to ride toward the English, he stops and invokes Wallace's memory. Hamish throws Wallace's sword, Braveheart, point-down in front of the English army, imploring his men to fight with Robert as they did with Wallace. With the Scots chanting Wallace's name, Robert then leads his army into battle against the stunned English, winning the Scots their freedom. The final shot of the film is the sun setting behind Braveheart as it sways in the wind. Cast [ edit] Production [ edit] This section needs expansion. You can help by adding to it. ( February 2020) Producer Alan Ladd Jr. initially had the project at MGM-Pathé Communications when he picked up the script from Wallace. [6] When MGM was going through new management in 1993, Ladd left the studio and took some of its top properties, including Braveheart. [7] Gibson came across the script and even though he liked it, he initially passed on it. However, the thought of it kept coming back to him and he ultimately decided to take on the project. [6] Gibson was initially interested in directing only and considered Brad Pitt in the role of William Wallace, but Gibson reluctantly agreed to play Wallace as well. [3] Gibson (right) on set with 20th Century Fox executive Scott Neeson Gibson and his production company, Icon Productions, had difficulty raising enough money for the film. Warner Bros. was willing to fund the project on the condition that Gibson sign for another Lethal Weapon sequel, which he refused. Gibson eventually gained enough financing for the film, with Paramount Pictures financing a third of the budget in exchange for North American distribution rights to the film, and 20th Century Fox putting up two thirds of the budget in exchange for international distribution rights. [8] [3] Principal photography on the film began on June 6, 1994. [9] While the crew spent three weeks shooting on location in Scotland, the major battle scenes were shot in Ireland using members of the Irish Army Reserve as extras. To lower costs, Gibson had the same extras, up to 1, 600 in some scenes, portray both armies. The reservists had been given permission to grow beards and swapped their military uniforms for medieval garb. [10] Principal photography ended on October 28, 1994. [11] The film was shot in the anamorphic format with Panavision C- and E-Series lenses. [12] Gibson had to tone down the film's battle scenes to avoid an NC-17 rating from the MPAA; the final version was rated R for "brutal medieval warfare ". [13] Gibson and editor Steven Rosenblum initially had a film at 195 minutes, but Sheryl Lansing, who was the head of Paramount at the time, requested Gibson and Rosenblum to cut the film down to 177 minutes. [14] According to Gibson in a 2016 interview with Collider, there is a four-hour version of the film and would be interested in reassembling it if both Paramount and Fox are interested. [15] Soundtrack [ edit] The score was composed and conducted by James Horner and performed by the London Symphony Orchestra. It is Horner's second of three collaborations with Mel Gibson as director. The score has gone on to be one of the most commercially successful soundtracks of all time. It received considerable acclaim from film critics and audiences and was nominated for a number of awards, including the Academy Award, Saturn Award, BAFTA Award, and Golden Globe Award. Release and reception [ edit] Box office [ edit] On its opening weekend, Braveheart grossed $9, 938, 276 in the United States and $75. 6 million in its box office run in the U. S. and Canada. [2] Worldwide, the film grossed $210, 409, 945 and was the thirteenth-highest-grossing film of 1995. [2] Critical response [ edit] Braveheart earned positive reviews; critics praised Gibson's direction and performance as Wallace, the performances of its cast, and its screenplay, production values, Horner's score, and the battle sequences. The depiction of the Battle of Stirling Bridge was listed by CNN as one of the best battles in cinema history. [16] However, it was also criticized for its depiction of history. The film holds a 77% approval rating at review aggregator Rotten Tomatoes, with an average score of 7. 25/10, based on 75 reviews. The site's consensus states "Distractingly violent and historically dodgy, Mel Gibson's Braveheart justifies its epic length by delivering enough sweeping action, drama, and romance to match its ambition. " [17] The film also has a score of 68 out of 100 on Metacritic based on 20 critic reviews indicating "generally favorable reviews". [18] Caryn James of The New York Times praised the film, calling it "one of the most spectacular entertainments in years. " Roger Ebert gave the film 3. 5 stars out of four, calling it "An action epic with the spirit of the Hollywood swordplay classics and the grungy ferocity of The Road Warrior. " In a positive review, Gene Siskel wrote that "in addition to staging battle scenes well, Gibson also manages to recreate the filth and mood of 700 years ago. " [19] Peter Travers of Rolling Stone felt that "though the film dawdles a bit with the shimmery, dappled love stuff involving Wallace with a Scottish peasant and a French princess, the action will pin you to your seat. " Not all reviews were positive, however. Richard Schickel of TIME magazine argued that "everybody knows that a non-blubbering clause is standard in all movie stars' contracts. Too bad there isn't one banning self-indulgence when they direct. " [20] Peter Stack of San Francisco Chronicle felt "at times the film seems an obsessive ode to Mel Gibson machismo. " [21] In a 2005 poll by British film magazine Empire, Braveheart was No. 1 on their list of "The Top 10 Worst Pictures to Win Best Picture Oscar". [22] Empire readers had previously voted Braveheart the best film of 1995. [23] Effect on tourism [ edit] The European premiere was on September 3, 1995, in Stirling. [24] In 1996, the year after the film was released, the annual three-day "Braveheart Conference" at Stirling Castle attracted fans of Braveheart, increasing the conference's attendance to 167, 000 from 66, 000 in the previous year. [25] In the following year, research on visitors to the Stirling area indicated that 55% of the visitors had seen Braveheart. Of visitors from outside Scotland, 15% of those who saw Braveheart said it influenced their decision to visit the country. Of all visitors who saw Braveheart, 39% said the film influenced in part their decision to visit Stirling, and 19% said the film was one of the main reasons for their visit. [26] In the same year, a tourism report said that the " Braveheart effect" earned Scotland £7 million to £15 million in tourist revenue, and the report led to various national organizations encouraging international film productions to take place in Scotland. [27] The film generated huge interest in Scotland and in Scottish history, not only around the world, but also in Scotland itself. [ citation needed] At a Braveheart Convention in 1997, held in Stirling the day after the Scottish Devolution vote and attended by 200 delegates from around the world, Braveheart author Randall Wallace, Seoras Wallace of the Wallace Clan, Scottish historian David Ross and Bláithín FitzGerald from Ireland gave lectures on various aspects of the film. [ citation needed] Several of the actors also attended including James Robinson (Young William), Andrew Weir (Young Hamish), Julie Austin (the young bride) and Mhairi Calvey (Young Murron). [ citation needed] Awards and honors [ edit] Braveheart was nominated for many awards during the 1995 Oscar season, though it was not viewed by many as a major contender such as Apollo 13, Il Postino: The Postman, Leaving Las Vegas, Sense and Sensibility, and The Usual Suspects. It wasn't until after the film won the Golden Globe Award for Best Director at the 53rd Golden Globe Awards that it was viewed as a serious Oscar contender. When the nominations were announced for the 68th Academy Awards, Braveheart received ten Academy Award nominations, and a month later, won five including Best Picture, Best Director for Gibson, Best Cinematography, Best Sound Effects Editing, and Best Makeup. [28] Braveheart became the ninth film to win Best Picture with no acting nominations and is one of only three films to win Best Picture without being nominated for the Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture, the other being The Shape of Water in 2017 and followed by Green Book the following year. [29] [30] [31] The film also won the Writer's Guild of America Award for Best Original Screenplay. [32] In 2010, the Independent Film & Television Alliance selected the film as one of the 30 Most Significant Independent Films of the last 30 years [33] Year Ceremony Category Recipients Result 1995 68th Academy Awards Best Picture Mel Gibson, Alan Ladd Jr. and Bruce Davey Won Best Director Best Screenplay Written Directly for the Screen Randall Wallace Nominated Best Cinematography John Toll Best Costume Design Charles Knode Best Sound Andy Nelson, Scott Millan, Anna Behlmer and Brian Simmons Best Sound Effects Editing Lon Bender and Per Hallberg Best Film Editing Steven Rosenblum Best Makeup Peter Frampton, Paul Pattison and Lois Burwell Best Original Score James Horner 53rd Golden Globe Awards Best Motion Picture – Drama Braveheart Best Screenplay 49th British Academy Film Awards Best Direction Best Film Music Best Production Design Thomas E. Sanders Peter Frampton, Paul Pattison, and Lois Burwell Andy Nelson, Scott Millan, Anna Behlmer, and Brian Simmons 1996 MTV Movie Awards Best Movie Best Male Performance Most Desirable Male Best Action Sequence Battle of Stirling 48th Writers Guild of America Awards Writers Guild of America Award for Best Original Screenplay American Film Institute lists AFI's 100 Years... 100 Movies – Nominated [34] AFI's 100 Years... 100 Thrills – No. 91 AFI's 100 Years... 100 Heroes & Villains: William Wallace – Nominated Hero [35] AFI's 100 Years... 100 Movie Quotes: "They may take away our lives, but they'll never take our freedom! " – Nominated [36] AFI's 100 Years of Film Scores – Nominated [37] AFI's 100 Years... 100 Cheers – No. 62 AFI's 100 Years... 100 Movies (10th Anniversary Edition) – Nominated [38] AFI's 10 Top 10 – Nominated Epic Film [39] Cultural effects [ edit] Lin Anderson, author of Braveheart: From Hollywood To Holyrood, credits the film with playing a significant role in affecting the Scottish political landscape in the mid-to-late 1990s. [40] Wallace Monument [ edit] In 1997, a 12-foot (3. 7 m), 13-tonne (13-long-ton; 14-short-ton) sandstone statue depicting Mel Gibson as William Wallace in Braveheart was placed in the car park of the Wallace Monument near Stirling, Scotland. The statue, which was the work of Tom Church, a monumental mason from Brechin, [41] included the word 'Braveheart' on Wallace's shield. The installation became the cause of much controversy; one local resident stated that it was wrong to "desecrate the main memorial to Wallace with a lump of crap". [42] In 1998, someone wielding a hammer vandalized the statue's face. After repairs were made, the statue was encased in a cage every night to prevent further vandalism. This only incited more calls for the statue to be removed, as it then appeared that the Gibson/Wallace figure was imprisoned. The statue was described as "among the most loathed pieces of public art in Scotland". [43] In 2008, the statue was returned to its sculptor to make room for a new visitor centre being built at the foot of the Wallace Monument. [44] Historical inaccuracy [ edit] Randall Wallace, who wrote the screenplay, has acknowledged Blind Harry 's 15th-century epic poem The Acts and Deeds of Sir William Wallace, Knight of Elderslie as a major inspiration for the film. [45] In defending his script, Randall Wallace has said, "Is Blind Harry true? I don't know. I know that it spoke to my heart and that's what matters to me, that it spoke to my heart. " [45] Blind Harry's poem is not regarded as historically accurate, and although some incidents in the film that are not historically accurate are taken from Blind Harry (e. g. the hanging of Scottish nobles at the start), [46] there are large parts that are based neither on history nor Blind Harry (e. Wallace's affair with Princess Isabella). [5] Elizabeth Ewan describes Braveheart as a film that "almost totally sacrifices historical accuracy for epic adventure". [47] The "brave heart" refers in Scottish history to that of Robert the Bruce, and an attribution by William Edmondstoune Aytoun, in his poem Heart of Bruce, to Sir James the Good Douglas: "Pass thee first, thou dauntless heart, As thou wert wont of yore! ", prior to Douglas' demise at the Battle of Teba in Andalusia. [48] It has been described as one of the most historically inaccurate modern films. [5] Sharon Krossa noted that the film contains numerous historical errors, beginning with the wearing of belted plaid by Wallace and his men. In that period "no Scots [... ] wore belted plaids (let alone kilts of any kind). " Moreover, when Highlanders finally did begin wearing the belted plaid, it was not "in the rather bizarre style depicted in the film". She compares the inaccuracy to "a film about Colonial America showing the colonial men wearing 20th century business suits, but with the jackets worn back-to-front instead of the right way around. " [49] In a previous essay about the film, she wrote, "The events aren't accurate, the dates aren't accurate, the characters aren't accurate, the names aren't accurate, the clothes aren't accurate—in short, just about nothing is accurate. " [50] The belted plaid ( feileadh mór léine) was not introduced until the 16th century. [51] Peter Traquair has referred to Wallace's "farcical representation as a wild and hairy highlander painted with woad (1, 000 years too late) running amok in a tartan kilt (500 years too early). " [52] In fact, Wallace was a lowlander; thus, the mountains and glens of his home as depicted in the film are also inaccurate. Irish historian Seán Duffy remarked "the battle of Stirling Bridge could have done with a bridge. " [53] In 2009, the film was second on a list of "most historically inaccurate movies" in The Times. [5] In the humorous non-fictional historiography An Utterly Impartial History of Britain (2007), author John O'Farrell claims that Braveheart could not have been more historically inaccurate, even if a Plasticine dog had been inserted in the film and the title changed to " William Wallace and Gromit ". [54] In the DVD audio commentary of Braveheart, Mel Gibson acknowledges many of the historical inaccuracies but defends his choices as director, noting that the way events were portrayed in the film was much more "cinematically compelling" than the historical fact or conventional mythos. [5] Jus primae noctis [ edit] Edward Longshanks, King of England, is shown invoking Jus primae noctis, allowing the lord of a medieval estate to take the virginity of his serfs' maiden daughters on their wedding nights. Critical medieval scholarship regards this supposed right as a myth: "the simple reason why we are dealing with a myth here rests in the surprising fact that practically all writers who make any such claims have never been able or willing to cite any trustworthy source, if they have any. " [55] [56] Occupation and independence [ edit] The film suggests Scotland had been under English occupation for some time, at least during Wallace's childhood, and in the run-up to the Battle of Falkirk Wallace says to the younger Bruce, "[W]e'll have what none of us have ever had before, a country of our own. " In fact, Scotland had been invaded by England only the year before Wallace's rebellion; prior to the death of King Alexander III it had been a fully separate kingdom. [57] After Alexander III death in 1286 his granddaughter Margaret, Maid of Norway, succeeded to the throne of Scotland until her death in 1290 in Orkney. At one point, Wallace's uncle refers to a piper as “playing outlawed tunes on outlawed pipes. " Not only were bagpipes not outlawed at the time, they likely had not yet been introduced to Scotland. Further, the widely-held belief that bagpipes were banned by the Act of Proscription 1746 (400 years later), is erroneous. Bagpipes were never specifically outlawed in Scotland. Portrayal of William Wallace [ edit] As John Shelton Lawrence and Robert Jewett writes, "Because [William] Wallace is one of Scotland's most important national heroes and because he lived in the very distant past, much that is believed about him is probably the stuff of legend. But there is a factual strand that historians agree to", summarized from Scots scholar Matt Ewart: Wallace was born into the gentry of Scotland; his father lived until he was 18, his mother until his 24th year; he killed the sheriff of Lanark when he was 27, apparently after the murder of his wife; he led a group of commoners against the English in a very successful battle at Stirling in 1297, temporarily receiving appointment as guardian; Wallace's reputation as a military leader was ruined in the same year of 1297, leading to his resignation as guardian; he spent several years of exile in France before being captured by the English at Glasgow, this resulting in his trial for treason and his cruel execution. [58] A. E. Christa Canitz writes about the historical William Wallace further: "[He] was a younger son of the Scottish gentry, usually accompanied by his own chaplain, well-educated, and eventually, having been appointed Guardian of the Kingdom of Scotland, engaged in diplomatic correspondence with the Hanseatic cities of Lübeck and Hamburg ". She finds that in Braveheart, "any hint of his descent from the lowland gentry (i. e., the lesser nobility) is erased, and he is presented as an economically and politically marginalized Highlander and 'a farmer'—as one with the common peasant, and with a strong spiritual connection to the land which he is destined to liberate. " [59] Colin McArthur writes that Braveheart "constructs Wallace as a kind of modern, nationalist guerrilla leader in a period half a millennium before the appearance of nationalism on the historical stage as a concept under which disparate classes and interests might be mobilised within a nation state. " Writing about Braveheart ' s "omissions of verified historical facts", McArthur notes that Wallace made "overtures to Edward I seeking less severe treatment after his defeat at Falkirk", as well as "the well-documented fact of Wallace's having resorted to conscription and his willingness to hang those who refused to serve. " [60] Canitz posits that depicting "such lack of class solidarity" as the conscriptions and related hangings "would contaminate the movie's image of Wallace as the morally irreproachable primus inter pares among his peasant fighters. " [59] Portrayal of Isabella of France [ edit] Isabella of France is shown having an affair with Wallace after the Battle of Falkirk. She later tells Edward I she is pregnant, implying that her son, Edward III, was a product of the affair. In reality, Isabella was around three years old and living in France at the time of the Battle of Falkirk, was not married to Edward II until he was already king, and Edward III was born seven years after Wallace died. [61] [5] Portrayal of Robert the Bruce [ edit] Robert the Bruce did change sides between the Scots loyalists and the English more than once in the earlier stages of the Wars of Scottish Independence, but he never betrayed Wallace directly, and he probably did not fight on the English side at the Battle of Falkirk (although this claim does appear in a few medieval sources). [62] Later, the Battle of Bannockburn was not a spontaneous battle; he had already been fighting a guerrilla campaign against the English for eight years. [63] His title before becoming king was Earl of Carrick, not Earl of Bruce. [64] Portrayal of Longshanks and Prince Edward [ edit] The actual Edward I was ruthless and temperamental, but the film exaggerates his negative aspects for effect. Edward enjoyed poetry and harp music, was a devoted and loving husband to his wife Eleanor of Castile, and as a religious man, he gave generously to charity. The film's scene where he scoffs cynically at Isabella for distributing gold to the poor after Wallace refuses it as a bribe would have been unlikely. Also, Edward died on campaign two years after Wallace's execution, not in bed at his home. [65] The depiction of the future Edward II as an effeminate homosexual drew accusations of homophobia against Gibson. We cut a scene out, unfortunately... where you really got to know that character [Edward II] and to understand his plight and his pain... But it just stopped the film in the first act so much that you thought, 'When's this story going to start? ' [66] [ better source needed] Gibson defended his depiction of Prince Edward as weak and ineffectual, saying: I'm just trying to respond to history. You can cite other examples— Alexander the Great, for example, who conquered the entire world, was also a homosexual. But this story isn't about Alexander the Great. It's about Edward II. [67] In response to Longshanks' murder of the Prince's male lover Phillip, Gibson replied: "The fact that King Edward throws this character out a window has nothing to do with him being gay... He's terrible to his son, to everybody. " [68] Gibson asserted that the reason Longshanks kills his son's lover is because the king is a " psychopath ". [69] Gibson expressed bewilderment that some filmgoers would laugh at this murder. The real Sir Philip Mowbray was never murdered by Edward I. Edward I died in 1307, with Mowbray living past his death, until 1318. [70] [71] Wallace's military campaign [ edit] "MacGregors from the next glen" joining Wallace shortly after the action at Lanark is dubious, since it is questionable whether Clan Gregor existed at that stage, and when they did emerge their traditional home was Glen Orchy, some distance from Lanark. [72] Wallace did win an important victory at the Battle of Stirling Bridge, but the version in Braveheart is highly inaccurate, as it was filmed without a bridge (and without Andrew Moray, joint commander of the Scots army, who was fatally injured in the battle). Later, Wallace did carry out a large-scale raid into the north of England, but he did not get as far south as York, nor did he kill Longshanks' nephew [73] (however, this was not as wide of the mark as Blind Harry, who has Wallace making it as far south as St. Albans, and only refraining from attacking London after the English queen came out to meet him). [46] Edward's nephew John of Brittany did take part in the Wars of Scottish Independence, but he was not killed, dying of natural causes. [74] The "Irish conscripts" at the Battle of Falkirk are also unhistorical; there were no Irish troops at Falkirk (although many of the English army were actually Welsh) [75] and it is anachronistic to refer to conscripts in the Middle Ages (although there were feudal levies). The two-handed long swords used by Gibson in the film were not in wide use in the period. A one-handed sword and shield would have been more accurate. [76] Accusations of Anglophobia [ edit] Sections of the English media accused the film of harboring Anglophobia. The Economist called it " xenophobic ", [77] and John Sutherland writing in The Guardian stated that: " Braveheart gave full rein to a toxic Anglophobia". [78] [79] [80] In The Times, Colin McArthur said "the political effects are truly pernicious. It's a xenophobic film. " [79] Ian Burrell of The Independent has noted, "The Braveheart phenomenon, a Hollywood-inspired rise in Scottish nationalism, has been linked to a rise in anti-English prejudice". [81] Home media [ edit] Braveheart was released on DVD on August 29, 2000. [82] It was released on Blu-ray as part of the Paramount Sapphire Series on September 1, 2009. [83] It was released on 4K UHD Blu-ray as part of the 4K upgrade of the Paramount Sapphire Series on May 15, 2018. [83] Sequel [ edit] On February 9, 2018, a sequel titled Robert the Bruce was announced. The film will lead directly on from Braveheart and follow the widow Moira, portrayed by Anna Hutchison, and her family (portrayed by Gabriel Bateman and Talitha Bateman), who save Robert the Bruce, with Angus Macfadyen reprising his role from Braveheart. The cast will also include Jared Harris, Patrick Fugit, Zach McGowan, Emma Kenney, Diarmaid Murtagh, Seoras Wallace, Shane Coffey, Kevin McNally, and Melora Walters. Richard Gray will direct the film, with Macfadyen and Eric Belgau writing the script. Helmer Gray, Macfadyen, Hutchison, Kim Barnard, Nick Farnell, Cameron Nuggent, and Andrew Curry will produce the film. [84] See also [ edit] Outlaw King; although not a sequel, it depicts events that occurred immediately after the events in Braveheart References [ edit] ^ "Braveheart (1995)". British Film Institute. Retrieved March 28, 2017. ^ a b c d "Braveheart (1995)". Box Office Mojo. Retrieved February 7, 2013. ^ a b c THR Staff (April 18, 2017). "Mel Gibson Once Threw an Ashtray Through a Wall During 'Braveheart' Budget Talks". The Hollywood Reporter. Retrieved April 18, 2017. ^ "Braveheart (1995) - Misc Notes - ". Turner Classic Movies. Retrieved May 11, 2019. ^ a b c d e f White, Caroline. "The 10 most historically inaccurate movies". The Sunday Times. Archived from the original on June 15, 2011. Retrieved November 15, 2013. ^ a b gaspare88 (February 7, 2018), Making Of Braveheart Behind The Scenes Documentary, retrieved October 26, 2018 ^ Nollen, Scott Allen (January 1, 1999). Robin Hood: A Cinematic History of the English Outlaw and His Scottish Counterparts. McFarland. ISBN 9780786406432. ^ Michael Fleming (July 25, 2005). "Mel tongue-ties studios". Daily Variety. ^ " Braveheart 10th Chance To Boost Tourism In Trim". Meath Chronicle. August 28, 2003. Archived from the original on September 3, 2015. Retrieved April 30, 2007. ^ Chris Probst (June 1, 1996). "Cinematic Transcendence". American Cinematographer. Los Angeles, California, United States: American Society of Cinematographers. 77 (6): 76. ISSN 0002-7928. ^ Classification and Rating Administration; Motion Picture Association of America. "Reasons for Movie Ratings (CARA)". Archived from the original on December 11, 2010. ^ "Mel Gibson reveals secrets from behind the scenes of Braveheart".. Retrieved January 1, 2019. ^ Levine, Nick (October 26, 2016). "Mel Gibson has a whole hour of unseen 'Braveheart' footage for an extended cut". NME. Retrieved January 1, 2019. ^ "The best – and worst – movie battle scenes". CNN. March 30, 2007. Archived from the original on April 8, 2007. Retrieved April 1, 2007. ^ "Braveheart". Retrieved June 28, 2019. ^ Braveheart, retrieved October 26, 2018 ^ Siskel, Gene. "`CRUMB' DIGS DEEP AS THE OSCARS COME UP EMPTY".. Retrieved October 26, 2018. ^ Schickel, Richard (May 29, 1995). "CINEMA: ANOTHER HIGHLAND FLING". Time. ISSN 0040-781X. Retrieved October 26, 2018. ^ "FILM REVIEW -- Macho Mel Beats His Chest in Bloody `Braveheart ' ". SFGate. May 24, 1995. Retrieved October 26, 2018. ^ "Mel Gibson's "Braveheart" Voted Worst Oscar Winner". Archived from the original on February 3, 2013. ^ "Empire Award Past Winners - 1996".. Bauer Consumer Media. 2003. Retrieved September 16, 2011. ^ "Scotland a nation again for a night". The Herald. Glasgow. September 4, 1995. Retrieved July 10, 2016. ^ Zumkhawala-Cook, Richard (2008). Scotland as We Know It: Representations of National Identity in Literature, Film and Popular Culture. p. 147. ISBN 978-0-7864-4031-3. ^ MacLellan, Rory; Smith, Ronnie (1998). Tourism in Scotland. Cengage Learning EMEA. p. 230. ISBN 978-1-86152-089-0. ^ Martin-Jones, David (2009). Scotland: Global Cinema – Genres, Modes, and Identities. Edinburgh University Press. p. 14. ISBN 978-0-7486-3391-3. ^ "The 68th Academy Awards (1996) Nominees and Winners".. Archived from the original on September 29, 2012. Retrieved October 23, 2011. ^ " ' BRAVEHEART' CONQUERSGibson's epic wins Best PictureSarandon, Cage take acting honors. - Free Online Library".. Retrieved January 1, 2019. ^ "Oscars Avoids "Envelopegate" Repeat as 'The Shape of Water' Takes Home Best Picture Prize". Retrieved January 1, 2019. ^ America, Good Morning. "Oscars 2019: 'Green Book' wins best picture". Good Morning America. Retrieved February 27, 2019. ^ WELKOS, ROBERT W. (March 19, 1996). "WGA Members Prize 'Sensibility' and 'Braveheart ' ". Los Angeles Times. ISSN 0458-3035. Retrieved March 19, 2019. ^ "UPDATE: How "Toxic" Is IFTA's Best Indies? ". Deadline. Retrieved January 23, 2017. ^ AFI's 100 Years... 100 Movies (PDF). Retrieved June 20, 2013. ^ AFI's 100 Years... 100 Heroes and Villains Nominees Archived August 7, 2011, at the Wayback Machine ^ "AFI's 100 Years... 100 Movie Quotes Nominees" (PDF). Archived from the original (PDF) on March 28, 2014. Retrieved June 20, 2013. ^ "HollywoodBowlBallot" (PDF). Retrieved June 20, 2013. ^ "Movies_Ballot_06" (PDF). Retrieved June 20, 2013. ^ "AFI's 10 Top 10 Ballot" (PDF). Retrieved June 20, 2013. ^ Boztas, Senay (July 31, 2005). "Wallace movie 'helped Scots get devolution' – [Sunday Herald]". Archived from the original on July 2, 2013. Retrieved February 27, 2009. ^ "Wallace statue back at home of sculptor". The Courier. October 16, 2009. Archived from the original on October 20, 2009. Retrieved October 17, 2009. ^ Hal G. P. Colebatch (August 8, 2006). "The American Spectator". Archived from the original on October 12, 2007. Retrieved February 27, 2009. ^ Kevin Hurley (September 19, 2004). "They may take our lives but they won't take Freedom". Scotland on Sunday. Retrieved October 16, 2009. ^ "Wallace statue back with sculptor". BBC News. Retrieved October 16, 2009. ^ a b Anderson, Lin (2005). Braveheart: From Hollywood to Holyrood. Luath Press Ltd. p. 27. ^ a b Unmapping the Territory: Blind Hary's Wallace, Felicity Riddy's chapter in Edward Cowan's The Wallace Book (2007, ISBN 978-0-85976-652-4) ^ Ewan, Elizabeth (October 1995). "Braveheart". American Historical Review. 100 (4): 1219–21. doi: 10. 2307/2168219. ^ "Lays of the Scottish Cavaliers and Other Poems / Aytoun, W. (William Edmondstoune), 1813–1865". February 4, 2004. Archived from the original on March 29, 2012. Retrieved June 20, 2013. ^ Krossa, Sharon L. (October 2, 2008). "Braveheart Errors: An Illustration of Scale". Archived from the original on October 9, 2013. Retrieved June 15, 2009. ^ Krossa, Sharon L. (October 31, 2001). "Regarding the Film Braveheart". Archived from the original on November 13, 2012. Retrieved November 26, 2009. ^ "A History of Scottish Kilts | Authentic Ireland Travel". Archived from the original on December 5, 2013. Retrieved June 20, 2013. ^ Traquair, Peter (1998). Freedom's Sword. HarperCollins. p. 62 ^ "History Ireland". History Ireland. Retrieved January 30, 2016. ^ O'Farrell, John (2007). An Utterly Impartial History of Britain. New York City: Doubleday. p. 126. ISBN 978-0-385-61198-5. ^ Classen, Albrecht (2007). The medieval chastity belt: a myth-making process. London: Macmillan. p. 151. ISBN 9781403975584. Archived from the original on June 9, 2013. ^ "Urban legends website".. Retrieved June 20, 2013. ^ Traquair p. 15 ^ Shelton Lawrence, John; Jewett, Robert (2002). The Myth of the American Superhero. Grand Rapids, Michigan: Wm. B. Eerdmans. 163. ^ a b Canitz, A. Christa (2005). " ' Historians... Will Say I Am a liar': The Ideology of False Truth Claims in Mel Gibson's Braveheart and Luc Besson's The Messenger ". In Utz, Richard J. ; Swan, Jesse G. (eds. ). Studies in Medievalism XIII: Postmodern Medievalisms. Suffolk, United Kingdom: D. Brewer. pp. 127–142. ISBN 978-1-84384-012-1. ^ McArthur, Colin (1998). " Braveheart and the Scottish Aesthetic Dementia". In Barta, Tony (ed. Screening the Past: Film and the Representation of History. Praeger. pp. 167–187. ISBN 978-0-275-95402-4. ^ Ewan, Elizabeth (October 1995). The American Historical Review. Bloomington: Indiana University Press. 2307/2168219. ISSN 0002-8762. OCLC 01830326. ^ Penman, Michael Robert the Bruce: King of the Scots pp. 58-59 ^ Traquair pp. 128-176 ^ Traquair p. 58 ^ Traquair p. 147 ^ Della Cava, Marco R. (May 24, 1995). "Gibson has faith in family and freedom". USA Today. ^ Stein, Ruth (May 21, 1995). "Mel Gibson Dons Kilt and Directs". San Francisco Chronicle. ^ "Gay Alliance has Gibson's 'Braveheart' in its sights", Daily News, May 11, 1995, archived from the original on June 4, 2011, retrieved February 13, 2010 ^ Matt Zoller Seitz (May 25, 1995). "Icon: Mel Gibson talks about Braveheart, movie stardom, and media treachery". Dallas Observer. Archived from the original on December 22, 2007. Retrieved August 19, 2013. ^ "Philip Mowbray", The Battle of Bannockburn ^ Braveheart: The 10 historical inaccuracies you need to know before watching the movie ^ Way, George & Squire, Romily (1994). Collins Scottish Clan & Family Encyclopedia. pp. 220–221. ^ Traquair pp. 77-79 ^ Jones, Michael (2004). "Brittany, John of, earl of Richmond (1266? –1334)". Oxford Dictionary of National Biography. Oxford: Oxford University Press. 1093/ref:odnb/53083. ^ Traquair pp. 81-84 ^ Matt, Easton. "Two-handed swords in Ironclad, Braveheart, Robin Hood & Kingdom of Heaven". YouTube. Retrieved February 26, 2016. ^ "". May 18, 2006. Archived from the original on June 29, 2011. Retrieved February 27, 2009. ^ "John Sutherland". The Guardian. London. August 11, 2003. Archived from the original on August 20, 2009. Retrieved April 26, 2010. ^ a b " Braveheart battle cry is now but a whisper". Times Online. July 24, 2005. Retrieved February 27, 2009. ^ Colin, McArthur (2003). Brigadoon, Braveheart and the Scots: Distortions of Scotland in Hollywood Cinema. I. Tauris. p. 5. ISBN 978-1-86064-927-1. Archived from the original on June 10, 2013. ^ Burrell, Ian (February 8, 1999). "Most race attack victims `are white': The English Exiles – News". The Independent. Archived from the original on December 19, 2013. Retrieved February 27, 2009. ^ Various (August 29, 2000), Braveheart, Warner Bros., retrieved May 15, 2018 ^ a b "Braveheart DVD Release Date". DVDs Release Dates. Retrieved May 15, 2018. ^ Busch, Anita (February 9, 2018). "Angus Macfadyen-Led Action Drama 'Robert The Bruce' Drafts Jared Harris, Patrick Fugit & Others". Deadline Hollywood. Retrieved February 11, 2018. External links [ edit] Wikimedia Commons has media related to Braveheart. Braveheart on IMDb Braveheart at AllMovie Braveheart at Rotten Tomatoes Braveheart at Box Office Mojo Braveheart at Metacritic Roger Ebert's review of Braveheart.
Braveheart full soundtrack download.
Filmdaten Deutscher Titel Braveheart Originaltitel Braveheart Produktionsland USA Originalsprache Englisch Erscheinungsjahr 1995 Länge 177 Minuten Altersfreigabe FSK 16 Stab Regie Mel Gibson Drehbuch Randall Wallace Produktion Mel Gibson Alan Ladd junior Bruce Davey Musik James Horner Kamera John Toll Schnitt Steven Rosenblum Besetzung Mel Gibson: William Wallace Sophie Marceau: Prinzessin Isabelle Patrick McGoohan: König Eduard I. Angus Macfadyen: Robert the Bruce Brendan Gleeson: Hamish Campbell Catherine McCormack: Murron David O’Hara: Stephen James Cosmo: Campbell James Robinson: junger William Wallace Sean Lawlor: Malcolm Wallace Sandy Nelson: John Wallace Peter Hanly: Prinz Eduard Alun Armstrong: Mornay Rupert Vansittart: Lord Bottoms Ian Bannen: Robert Bruce, Earl of Carrick Brian Cox: Argyle Wallace John Murtagh: Lochlan Gerard McSorley: Cheltham Tommy Flanagan: Morrison John Kavanagh: Craig Braveheart ist ein US-amerikanischer Film aus dem Jahr 1995 mit Mel Gibson in der Hauptrolle als William Wallace. Gibson ist Produzent und Regisseur zugleich. In weiteren Rollen sind Sophie Marceau, Brendan Gleeson und Angus Macfadyen zu sehen. Der Film erhielt fünf Oscars, unter anderem in den Kategorien Bester Film und Beste Regie. Handlung [ Bearbeiten | Quelltext bearbeiten] Ende des 13. Jahrhunderts beansprucht König Eduard I. von England, genannt „Edward the Longshanks“, den Thron Schottlands, und lockt mehrere schottische Unterhändler in einen Hinterhalt, wo er alle Gesandten trotz Parlamentärsflagge töten lässt. In den darauf folgenden kriegerischen Auseinandersetzungen werden Williams Vater und Bruder getötet. Nach der Beerdigung wird William als achtjährige Waise von seinem Onkel Argyle, der in Irland lebt, aufgenommen und erhält von ihm eine angemessene Erziehung. In den folgenden Jahren leidet Schottland unter den harten Gesetzen Eduards. Wallace kehrt als erwachsener Mann in sein Dorf zurück, um seine Kindheitsliebe Murron zu heiraten. Beide vermählen sich heimlich, da der englische Sheriff sich nach Dekret Eduards auf das Ius primae noctis, das „Recht der ersten Nacht“, beruft. Als ein englischer Soldat Murron vergewaltigen will, kommt es zu einem Kampf, bei dem Wallace entkommen kann, Murron jedoch wird gefangen genommen und vom Sheriff öffentlich hingerichtet. Wallace kehrt zurück, um Rache zu üben, stürmt mit seinen Clansfreunden die Garnison und tötet den Sheriff mit eigener Hand. Daraufhin führt er seinen Clan und eine wachsende Schar Freiwilliger auf einen Rachefeldzug gegen die englischen Garnisonen in der Umgebung. Schließlich ist ein Krieg gegen England nicht mehr zu vermeiden, und Wallace schart die einfachen Schotten und verschiedene Clans um sich, während die schottischen Edelleute sich zurückhalten, teils aus Angst, teils, um ihre Reichtümer zu mehren. Für William allerdings ist es nun ein Kampf um Schottlands Freiheit und Eigenständigkeit. Eduard, zu dieser Zeit in Frankreich, überträgt die Verantwortung für die Niederschlagung des Aufstandes seinem schwächlichen, homosexuellen Sohn, der sich aber nicht sonderlich um die Angelegenheit kümmert. Wallace führt die schottische Armee bei der Schlacht von Stirling Bridge an und zusammen mit den Edelleuten, die sich nun doch kampfbereit zeigen, zum Sieg. Anschließend wird er in Edinburgh zum Guardian of Scotland ernannt und zum Ritter geschlagen, doch die Edelleute können sich nicht auf einen neuen König einigen. Daraufhin beschließt Wallace, einen Präventivschlag gegen England zu führen, und nimmt York ein. Den Kopf des Stadtkommandanten, Longshanks Neffe, schickt er nach London. Eduard, wieder in London angekommen, ist über die Einnahme Yorks schockiert. Er wirft den Freund seines Sohnes aus dem Fenster, der den Sturz nicht überlebt. Daraufhin versucht Prinz Eduard, seinen Vater zu töten, doch dieser schlägt und demütigt ihn. Schließlich befiehlt der König seiner unglücklichen Schwiegertochter Isabelle, mit Wallace zu verhandeln. Diese verliebt sich jedoch in Wallace. Währenddessen greift Eduard zu einer List: Ohne Wissen Isabelles schickte er bereits Wochen zuvor heimlich Truppen über den Seeweg aus Frankreich nach Schottland, um Wallace von Verstärkungen abzuschneiden und ihn mit einer Umzingelung schließlich aufzureiben. Prinzessin Isabelle aber kann Wallace warnen, bevor die Falle zuschnappen kann. Robert the Bruce, der legitime Thronerbe, gibt William, den er zutiefst bewundert, sein Wort, mit ihm gegen England zu kämpfen, doch sein leprakranker, dominanter Vater will Robert den Thron sichern, indem er sich mit den Engländern arrangiert. Deshalb übt Robert, ebenso wie einige Edelleute, die von Eduard bestochen wurden, in der Schlacht von Falkirk Verrat an ihm, doch von Gewissensbissen geplagt, verhilft er dem geschlagenen Wallace letztendlich zur Flucht. Trotz der schweren Niederlage führt Wallace den Kampf weiter. Isabelle sucht Wallace erneut auf, gesteht ihm ihre Liebe und teilt eine Nacht mit ihm. Gegen eine hohe Bestechungssumme liefern die schottischen Edelleute William Wallace schließlich an Eduard aus, indem sie ihn mit einer List in eine Falle locken, ohne dass der überrumpelte Robert the Bruce es verhindern kann. Wallace wird von mehreren englischen Soldaten gefangen genommen und nach London in den Kerker gebracht. Obwohl Isabelle, die von Wallace schwanger geworden ist, sich bei dem inzwischen schwerkranken Eduard für ihn einsetzt, wird Wallace des Hochverrats angeklagt und für schuldig befunden. Seine Hinrichtung soll durch Vierteilung erfolgen. Auf der Folterbank verweigert er bis zuletzt die Bitte um Gnade, die seine Folter abgekürzt und für einen schnellen Tod gesorgt hätte. Nachdem er laut das Wort „Freiheit“ schreit, anstatt auf ein neuerliches Angebot des Scharfrichters einzugehen, Eduard als König anzuerkennen, wird er schließlich enthauptet. Im selben Zeitpunkt macht auch König Eduard seinen letzten Atemzug. Am Ende des Films soll Robert the Bruce die schottische Königskrone von Englands Gnaden erhalten, was ihn zu einem englischen Vasallen gemacht hätte. Kurz vor der Annahme der Krone durch die Engländer ändert er jedoch seine Pläne und führt die verbliebenen Anhänger von Wallace in die Schlacht von Bannockburn. Der Film stellt den Ausgang der Schlacht nicht dar, erwähnt jedoch im Schlusswort, dass die Schotten sich in dieser Schlacht endgültig ihre Freiheit erkämpften. Historische Vorlagen und Filmfehler [ Bearbeiten | Quelltext bearbeiten] Der Film basiert zum Teil auf tatsächlichen, historischen Gegebenheiten. Der schottische Rebellenführer William Wallace existierte tatsächlich, wenn auch die filmische Darstellung nicht in jeder Hinsicht den Details der Geschichte entspricht. Der Film erweckt den Anschein, dass sämtliche Ereignisse des schottischen Unabhängigkeitskrieges innerhalb kurzer Zeit stattgefunden hätten, wodurch besonders im Fall von Robert the Bruce die historischen Fakten stark verzerrt dargestellt oder aus dem Zusammenhang gerissen werden. Hauptquelle des von Randall Wallace 1995 geschriebenen Drehbuches ist das Gedicht Wallace des Minnesängers Blind Harry, verfasst in den 1470er Jahren. Es ist das älteste schriftliche Dokument, in dem Wallace als Volksheld dargestellt wird und der Grund für seinen bis heute anhaltenden Bekanntheitsgrad. Nachdem es 1508 erstmals gedruckt worden war, verbreitete es sich schnell über ganz Schottland, und Wallace wurde zum schottischen Freiheitshelden. [1] An historischen Quellen über William Wallace existieren vier Gerichtsurkunden und ein Handelsvertrag mit den Städten Lübeck und Hamburg, der von Wallace und dem Adeligen Andrew de Moray am 11. Oktober 1297 unterschrieben wurde und im Stadtarchiv Lübeck aufbewahrt wird. [2] Erstmals als einer der Freiheitskämpfer Schottlands wird Wallace in der fünfbändigen Chronik von John Fordun dargestellt. Dieses fünfbändige Werk, vermutlich um 1363 verfasst, gilt noch heute als die wichtigste historische Quelle über Schottland im 12. und 13. Jh. : Chronica Gentis Scotorum. Die Filmhandlung beginnt im Jahr 1280. Dieses wird als Todesjahr des schottischen Königs Alexander III. ausgegeben und markiert den Beginn der englischen Unterdrückung. In anschließenden Revolten, angeführt von Wallace, wehren sich die Schotten gegen die englischen Invasoren und Eroberer. Die historischen Fakten sind komplexer. Erstens stirbt König Alexander III. erst sechs Jahre später, also 1286. Es folgt eine provisorische Regierung, da seine Thronfolgerin mit drei Jahren noch zu jung ist, um Königin von Schottland zu werden. Doch sie stirbt bereits 1290. So wird der englandstreue König John Balliol zum König von Schottland gewählt. Tatsächlich ist er jedoch mehr Vasall von England als König von Schottland. Allen voran verweigerten ihm die Bruces, den Treueeid zu leisten. Nachdem er im Jahr 1296 vergiftet worden war, erobern die Engländer Schottland. Dies führt zu den im Film gezeigten Freiheitskämpfen. [3] Das zweite im Film eingeblendete Datum, die Schlacht von Bannockburn 1314, ist historisch korrekt. Auch stimmt es, dass die Schotten in dieser Schlacht erstmals von Robert the Bruce angeführt wurden. [3] Am Ende des Films wird der Eindruck erweckt, dass die Schlacht von Bannockburn spontan ausgelöst wurde, nachdem Robert Bruce von Wallaces Tod erfahren habe. In der Realität war Bruce bereits seit acht Jahren in einen Guerillakrieg mit den Engländern verwickelt und die Schlacht selbst fand neun Jahre nach der Exekution von Wallace statt. Etwa ein Jahr nach dessen Tod fand in Wirklichkeit die Schlacht bei Methven statt, die in einer empfindlichen Niederlage für Bruce endete. Der damals noch ungekrönte Robert Bruce wird im Film als „Earl of Bruce“ bezeichnet, tatsächlich war er der Earl of Carrick. Im Film wird behauptet, dass Wallace den Anspruch von Bruce auf den schottischen Thron unterstützte. In Wirklichkeit war er auf der Seite des abgesetzten Königs John Balliol. Der Film zeigt Robert Bruces Vater (der ebenfalls Robert hieß) als Leprakranken. Es gibt jedoch keine historischen Aufzeichnungen darüber. Lange nahmen Historiker an, dass König Robert Bruce selbst an Lepra gestorben sei, doch wird diese Theorie heute nicht mehr gestützt. Bei Falkirk wurde Wallace nicht von Bruce verraten. Er wechselte tatsächlich die Seiten, doch dies geschah schon einige Jahre zuvor aufgrund des Konflikts mit der Comyn-Familie, die John Balliol unterstützte (der Konflikt wird im Film völlig weggelassen). Wallace wurde gejagt und gefangen genommen, nachdem die Schotten 1305 zur Kapitulation gezwungen worden waren. Zwar färbten sich schon die Pikten ( lateinisch picti „die Bemalten“), Britannier, Gallier und Germanen das Gesicht mit blauer Farbe, dennoch war die Kriegsbemalung, die im Film bei Wallace und einigen Gefolgsleuten zu sehen ist, zu dieser Zeit bereits seit ungefähr 1000 Jahren „außer Mode“. Zu der Zeit, in der der Film spielt, gab es in Schottland zudem noch keine Kilts. Das Auftreten von Kilts ist nicht vor 1600 nachgewiesen. Der englische König starb zwei Jahre nach Wallace’ Hinrichtung. Im Film wird Wallace hingerichtet, während der König im Sterben liegt. Während des letzten Schreis nach Freiheit durch Wallace stirbt der König. Auch das Bild des jungen Robert the Bruce als eines leicht beeinflussbaren Zauderers entspricht nicht den historischen Tatsachen: der schottische König wird oft als skrupellos beschrieben. Zudem war es Robert the Bruce, der die Engländer ab dem Jahr 1307 mit einem Guerillakampf überzog, bis er schließlich bei der Schlacht bei Bannockburn im Jahr 1314, vereint mit Wallace’ Truppen, siegte und deshalb als schottischer Nationalheld gilt. William Wallace entsprang keinesfalls den im Film dargestellten bäuerlichen Verhältnissen. Seine Familie besaß Land in Ayrshire und Renfrewshire und gehörte zur engsten Gefolgschaft der Stuarts. Ferner war Wallace in den Schlüsselstellen des Films wesentlich jünger als Gibson, und auch erheblich größer, was Gibson jedoch mit Hilfe einer humorvollen Einlage während des Films umgeht. Die heimliche Ehe mit Marion Braidfood (Murron) aus Lanark kann als historisch korrekt betrachtet werden, allerdings waren die beiden länger verheiratet, als im Film dargestellt. Sie hatten eine gemeinsame Tochter. Hingegen war die historische Prinzessin Isabelle, die im Film Gattin des englischen Thronfolgers ist und von Wallace geschwängert wird, zum Zeitpunkt der Hinrichtung von Wallace 1305 erst ca. 10 Jahre alt und lebte noch in Frankreich. Erst 1308 kam sie nach England und wurde mit Eduard II. verheiratet. Eine Schlüsselszene ist Wallace’ legendäre Ansprache auf dem Schlachtfeld von Stirling „Sie mögen uns das Leben nehmen, aber niemals nehmen sie uns unsere Freiheit! “, die allerdings im Duktus der Rede des jungen englischen Königs Henry V. vor der Schlacht von Azincourt an seine Truppen in Shakespeares gleichnamigen Theaterstück entlehnt ist. Weiterhin ist das im Film verwendete Wappen (drei Löwen und drei Lilien) als Anspruch auf Frankreichs Krone erst später das Wappen Englands geworden. Auch Whisky gab es noch nicht und wurde erst mehr als 200 Jahre später erstmals erwähnt. Das im Film zum Teil als für die Rebellion ausschlaggebende Ius primae noctis hat in dieser Form nie existiert. Hintergrund [ Bearbeiten | Quelltext bearbeiten] Das Budget des Films betrug 72 Millionen US-Dollar. Die Einnahmen umfassen in etwa den dreifachen Betrag, rund 210 Millionen US-Dollar. [4] Gedreht wurde im und am Ort Fort William, im Glen Coe und Glen Nevis sowie am Loch Leven. Trim Castle (Grafschaft Meath, Irland) diente als „Burghintergrund“ für den Film. Der Film wurde in der Popkultur mehrfach als Inspiration genutzt, beispielsweise in Ice Age 4 – Voll verschoben (2012), wo eine Herde Schliefer mit blau geschminktem Anführer und langen Speeren eine Gruppe wesentlich größerer Piraten angreift. In Das A-Team – Der Film (2010) imitiert der Charakter Murdock blau geschminkt die Rede von William Wallace. Die Titelmelodie wurde von DJ Sakin als Trance-Version veröffentlicht. Kritiken [ Bearbeiten | Quelltext bearbeiten] Quelle Bewertung Rotten Tomatoes Kritiker [5] Publikum Metacritic [6] IMDb [7] „Ein zwischen 1275 und 1305 spielendes Epos, in dem viel von Freiheit geredet wird, das aber nicht mehr als eine aufwendige Rache-Story ist. In der Hauptrolle fehlbesetzt, flüchtet sich der Film in voyeuristische Grausamkeiten und üble Klischees. “ „Mel Gibsons ‚Braveheart‘ ist ein hervorragendes, ungemein packendes und eindringliches Schlachtenepos, welches die rauen und dunklen Tage des Mittelalters wiederbelebt und eine Lanze für das unbändige Verlangen nach Selbstbestimmung und Freiheit bricht. “ – [9] „Ergreifend-opulente Heldenverfilmung. “ – [10] „Er [Mel Gibson] hat viel Herzblut in diesen Film gesteckt, beweist aber auch Sinn für Humor und für mystisches Flair. Sadistische Leinwandexzesse werden dadurch ausbalanciert. “ – Angela Errigo: 1001 Filme: die Sie sehen sollten, bevor das Leben vorbei ist [11] Die Deutsche Film- und Medienbewertung FBW in Wiesbaden verlieh dem Film das Prädikat „wertvoll“. [12] Auszeichnungen [ Bearbeiten | Quelltext bearbeiten] Braveheart wurde mit fünf Oscars ausgezeichnet und erhielt einen Golden Globe Award. Academy Awards 1996 Oscar in der Kategorie Bester Film für Mel Gibson, Alan Ladd junior, Bruce Davey Oscar in der Kategorie Beste Regie für Mel Gibson Oscar in der Kategorie Beste Kamera für John Toll Oscar in der Kategorie Bester Tonschnitt für Lon Bender, Per Hallberg Oscar in der Kategorie Bestes Make-Up für Peter Frampton, Paul Pattison, Lois Burwell Nominiert in der Kategorie Bestes Kostüm für Charles Knode Nominiert in der Kategorie Bester Schnitt für Steven Rosenblum Nominiert in der Kategorie Beste Musik für James Horner Nominiert in der Kategorie Bester Ton für Andy Nelson, Scott Millan, Anna Behlmer, Brian Simmons Nominiert in der Kategorie Bestes Drehbuch für Randall Wallace BAFTA Award 1996 BAFTA Award in der Kategorie Beste Kamera für John Toll BAFTA Award in der Kategorie Bestes Kostüm für Charles Knode BAFTA Award in der Kategorie Bester Ton für Per Hallberg, Lon Bender, Brian Simmons, Andy Nelson, Scott Millan, Anna Behlmer Nominiert in der Kategorie Beste Regie für Mel Gibson Nominiert in der Kategorie Bestes Make-Up für Peter Frampton, Paul Pattison, Lois Burwell Nominiert in der Kategorie Bestes Bühnenbild für Thomas E. Sanders Empire Awards 1996 Empire Award in der Kategorie Bester Film Golden Globe Awards 1996 Golden Globe in der Kategorie Beste Regie für Mel Gibson Nominiert in der Kategorie Bester Film (Drama) MTV Movie Awards 1996 MTV Movie Award in der Kategorie Beste Action-Szene Nominiert in der Kategorie Bester Film Nominiert in der Kategorie Bester Hauptdarsteller für Mel Gibson Saturn Award 1996 Nominiert in der Kategorie Bester Action-/Abenteuerfilm Weblinks [ Bearbeiten | Quelltext bearbeiten] Braveheart in der Internet Movie Database (englisch) Braveheart bei Rotten Tomatoes (englisch) Braveheart bei Metacritic (englisch) Braveheart in der Online-Filmdatenbank Braveheart in der Deutschen Synchronkartei Vergleich der Schnittfassungen ORF 1 – FSK 16, FSK 12 Sat. 1 – FSK 16, BBFC 15 – Originalversion, VOX ab 12 – FSK 16 von Braveheart bei Einzelnachweise [ Bearbeiten | Quelltext bearbeiten] ↑ Vgl. Brown 2004, S. 188. ↑ Vgl. Morton 2001, S. 19. ↑ a b Vgl. 180–189. ↑ ↑ a b bei Rotten Tomatoes, abgerufen am 19. September 2014. ↑ a b bei Metacritic, abgerufen am 19. September 2014. ↑ Braveheart in der Internet Movie Database (englisch) ↑ Braveheart im Lexikon des internationalen Films ↑ Braveheart auf ↑ Angela Errigo: 1001 Filme: die Sie sehen sollten, bevor das Leben vorbei ist. Zürich 2012, ISBN 978-3-283-01158-1, S. 844. ↑ Braveheart auf.
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https://cleanuri.com/bbzoJb Braveheart download full movie. From Kingdom Hearts Wiki: A world of information not accessible by Gummiship Kingdom Hearts III Braveheart Token Katakana ブレイブハート Rōmaji Bureibuhāto Stats Strength Magic +5 Shotlock(s) Dark Divide [ KH III RM] Obtained Before the second battle against Demon Tower. Braveheart is the default form of Riku 's second Keyblade, and appears in Kingdom Hearts III. Contents 1 Story 1. 1 Kingdom Hearts III 2 Design 3 Gallery Story [ edit] Kingdom Hearts III [ edit] When Riku and Mickey first venture into the Realm of Darkness in search of Aqua, they are overwhelmed by a Demon Tower which snaps the Way to the Dawn in two. Unable to use the broken Keyblade, Riku leaves it at the Dark Margin and returns with Mickey to the Mysterious Tower. There, Yen Sid provides Riku and Mickey with new clothes for Kairi and Lea before sending them to visit Merlin where they receive new Keyblades. Riku uses this Keyblade during their return visit to the Realm of Darkness, and throughout the final battle with the real Organization XIII. Design [ edit] Like Fenrir, Braveheart is designed after a dimple key for a pin tumbler lock, as opposed to the lever tumbler lock key designs of most other Keyblades. The blade is silver, with two parallel grooves running the length of the blade at the center; several circular intents are etched along each edge asymmetrically. The blade juts out and then cuts back in just before it connects to the guard, which is black and blocky. The Keyblade's Keychain is a Hidden Mickey token similar to that of the Kingdom Key, although of a darker hue and with defined separations between the "head" and "ears". The Keyblade is named after Braveheart, a recurring weapon for Warriors in Final Fantasy. It is most frequently the weapon of the Warrior of Light from Dissidia Final Fantasy. This contrasts with Riku's previous Soul Eater, named after a Dark Knight ability, and symbolizes his role as a Guardian of Light. Gallery [ edit] Concept art for Braveheart. Riku's Keyblades Soul Eater | Kingdom Key | Keyblade of heart | Oblivion | Way to the Dawn | Destiny's Embrace | Ultima Weapon | Combined Keyblade | Braveheart Skull Noise | Guardian Bell | Ocean's Rage | Dual Disc | Knockout Punch | All for One | Counterpoint | Sweet Dreams | Divewing | End of Pain | Unbound Other Wooden Sword.
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Braveheart Download full review. Amazing as always. Could you play the Fallout 4 Theme please. It would be overepic. Movies nowadays aren´t like this. That is so sad, they lack heart. Braveheart download full games. Imagine David Thomson's John Ford really existed - he'd have made BRAVEHEART. The IMDb guidelines ask us to refrain from being nasty, but surely I can say that this is a deeply fascist work, one that offers only one point of view, reduces to caricatures anything that opposes it, and is filmed in a bludgeoning, wearing style. The treatment of the English is appropriate and probably accurate, but the response is brutal, ugly and reprehensible. The homophobia is horrific, and the film's bigotries and allegiances seem aimed at football hooligans, republicans and thugs. Worse than any of this, though, is that it is a very dull film, which is badly made when it isn't reiterating cliches, and its cod-Celtic, very fascist sentimentality is nauseating.
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One More Kiss Directed by Vadim Jean Produced by Vadim Jean Paul Brooks Written by Suzie Halewood Starring Valerie Edmond Gerard Butler James Cosmo Music by David A. Hughes John Murphy Edited by Joe McNally Distributed by The Mob Film Company Release date 18 February 2000 Country Scotland Language English Scots One More Kiss is a Scottish romantic drama directed by Vadim Jean, starring Valerie Edmond, Gerard Butler and James Cosmo. The film’s story revolves around a cancer-diagnosed woman who decides to live her remaining life to the full, which includes throwing herself into a triangle romance with an old flame. Plot [ edit] This section needs expansion. You can help by adding to it. ( June 2016) When Sarah Hopson ( Valerie Edmond) discovers she has a brain tumour, she leaves her successful high-rise lifestyle in New York City and returns to her hometown in the Scottish Borders, where she left her widower father Frank ( James Cosmo) and her childhood sweetheart Sam ( Gerard Butler) to pursue a career in the United States seven years ago. Upon arriving Sarah finds out that Sam, a restaurant owner, is now happily married to Charlotte (Valerie Gogan). This, however, does not stop her from asking the couple a last favour – which is to let Sarah spend her remaining time in the company of the only man she has ever loved. Cast [ edit] Valerie Edmond as Sarah Gerard Butler as Sam James Cosmo as Frank Valerie Gogan as Charlotte Carl Proctor as Barry Danny Nussbaum as Jude Dilys Miller as Mary Ron Guthrie as Robin R Gary Robson as Gary the kitchen porter Michael Murray as Market stall holder Lori Manningham as Michael Angello, Frank’s dog Hugh Wilson as Frank’s false teeth Robin Galloway as Shirley (voice) (as Robyn Calloway) Oscar Fullane as Chef (as Oscar Fullone) Simon Tickner as Chef Julian Jensen as Opera singer Kim Hicks (and Tim Francis) as Opera lovers on stage Nigel Pegram as Opera buff Andrew Townsley as Doctor Frith (as Andrew Townley) Collette King as Nurse King Molly Maher as Young Sarah Filming locations [ edit] Edinburgh, Scotland Berwick upon Tweed, Northumberland, England, United Kingdom New York City, New York, United States The original intention was for the film to be set in Jean’s home town of Bristol, but ultimately the landscapes of Northern England and Edinburgh, Scotland were used instead – with the former being the main setting. The opening and closing sequences were shot in New York City. [1] Music / Soundtrack [ edit] "Amor Ti Vieta" – Tito Beltrán "Ave Maria" – Slava " Beautiful Dreamer " – James Cosmo "Caruso" – Julian Jensen "Hey Boy! Hey Girl! " – Louis Prima "How About You" – Connie Lush "Roses from the South" – Royal Philharmonic Orchestra "Swimmers" – Mylo "Through the Rain" – Gavin Clarke and Paul Bacon " Where Do You Go To (My Lovely) " – Peter Sarstedt "You Fascinating You (Tu Solamente Tu)" – Connie Lush Release [ edit] Country Date Canada 18 September 1999 (Atlantic Film Festival) UK 18 February 2000 Iceland 13 July 2000 (Video Premiere) Israel 5 April 2001 Belgium 31 October 2001 Japan 31 August 2005 21 January 2006 (DVD) USA 6 June 2006 (DVD) Awards [ edit] Atlantic Film Festival Year Result Award Recipient 1999 Won Audience Award Vadim Jean Emden International Film Festival 2000 Nominated Emden Film Award Trivia [ edit] Despite its strong subject matter and an all-Scottish cast, One More Kiss was not included in the programme of the Edinburgh International Film Festival. It held its British premiere at the London Film Festival instead. [2] Jean did not deliberately pick an all-Scottish cast. [1] An army of local people volunteered as extras, and the Mayor of Berwick gave up his parking space for the production vehicle. [1] References [ edit] External links [ edit] BFI - One More Kiss Review Theiapolis Cinema - OMK Gerard Butler, OMK Gerard Butler Global Fan Club One More Kiss on IMDb One More Kiss at Rotten Tomatoes.
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