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Publisher: Renee Cunningham

 

1. Runtime 1Hour 33 M
2. Scores 105 vote
3. director Alla Kovgan
4. Germany
5. cast Carolyn Brown

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Amen. damn motormouths. I don't get why he doesn't have more views/likes. such good music. Jordan:pays someone to call him so it looks like he has friends. Also jordan:oMG wHo iS cALliNG MEEEEEEE 😠😠😠. 4:16 never seen something more straight in my life. Pure artistry - just listened to original temptations version, the rich words enable such beautiful interpretation. Us: cheats on quiz Punishment: gets referral Him: hides babies and went inside a dorm they werent supposed to Punishment: make a video, paint rocks and hide them. What's your tiktok. A remarkable achievement by filmmaker Alla Kovgan, spending seven years to make this classic tribute to the late dancer/choreographer Merce Cunningham.
Working with both archive footage and valuable sound recordings, she conjures up the avant-garde artist through recordings of his work, his philosophy of his art and comments by many close collaborators including notably John Cage and Robert Rauschenberg. Not meant as a biopic, film concentrates on spectacularlhy cinematic (in 3-D) new performances of many of his dances, executed by members of his company, which disbanded in 2011, after Merce's death in 2009.
At a q&a following the screening, Kovgan indicated that Wim Wenders' innovative 2011 3-D dance film about German choreographer Pina Bausch inspired her to take on this formidable project, finally starting shooting in Stuttgart in 2015 with principal photography taking place in 2018.
Her use of 3-D technique is outstanding, resulting in gripping visual images, enhanced by the accompaniment of the original dance scores by John Cage and others. For a novice like me, not overly familiar with Merce's achievements, the movie brings his dance to life and points to how 3-D technology can be used artfully rather than as a gimmick, or its current excuse to permit higher price points for movie admissions to films, both animated and action-oriented, that should play just as well if not better in 2-D on large screens.

He could toss the football 90 yards running sideways. Always a threat to score. Made the games exciting when he was in there. Ottimo prodotto, ottima voce e stile. Real nice smooth tune. This is great. Thanks. “Tiny green drugs”. GrInCH cRaCk. Great feel from the drummer. Made to Order Manufactured in the UK Shipped Globally We are one of the world's leading manufacturers of clever protective tarpaulin covers We utilise our manufacturing and engineering know-how to pinpoint unique solutions to challenging situations worldwide. Our intelligent design and manufacturing processes combine to produce customised covers that will endure even the most difficult environments. Our protective covers are intricately designed and manufactured in the UK in our state-of-the-art 50, 000 square foot manufacturing facility. Furnished with the latest textile fabricating and printing technology and a highly skilled, award winning engineering team, exceptional products and service is guaranteed. Our pioneering products are preventing the destruction of valuable assets from the impacts of UV and heat, rain, frost, corrosion and more. From Asia to Africa, and Antarctica to Australia, we are safeguarding the world’s most valuable assets for the future. Made in the UK, shipped worldwide. map Products Made to the highest international standards and put through rigorous testing, a Cunningham cover is made to last. Large Storage Tank Covers Cunningham Covers provides made-to-order storage tank covers that are engineered to last. Whether it is for over ground slurry storage, renewable energy, water processing, agriculture or industrial purposes, our long-lasting storage tank covers will provide the strength and protection that is needed for your storage tank. Our covers can be fitted across steel and concrete tanks and are expertly made to protect against bad weather and to provide any necessary ventilation. Covers can be used for either new tank installations or retrofitted tanks and can be sized to fit any tank. View full case study Cable and Pipe UV Protective Covers Cunningham Covers creates heavy-duty UV protective covers for a variety of applications, from cable covers and pipe covers, to tarpaulins for trucks, military vehicles and air cargo transport solutions. We have the capacity to produce covers tailored to your specific requirements, regardless of the required dimensions or use. Acoustic Curtains Factories can be noisy places, especially with noisy machines running 24-7. A Cunningham acoustic curtain can make a huge impact in reducing noise and even reducing oil costs for heating. They are an easy to fit solution and much more cost effective than the traditional mortar and brick methods. Made from a flexible flame retardant 900gsm polyester PVC the Cunningham factory partition is an ideal solution that can turn an overly large scale building into a smaller, more controlled environment with huge heating and acoustic benefits. hot work habitats / pressurized habitats / atex habitats / iecex habitats / hot work offshore Hot work Habitat helps increase pumping capacity within Middle East refinery Cunningham were approached by a leading refinery in the Middle East region with a specific request to utilise the Cunningham Safezone pressurised habitat system. We had been highly recommend by another project manager that had started using our habitat for a similar purpose. View full case study.

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Ok i literally found jordan today and hes already my spirt animal such an UNDERATED YOUTUBER already in love. Love the Jeffree and Shane references ! 😂. Man the dude at the beginning really disrespected Mike Vick. Merce Cunningham was a dancer and choreographer known for his long-time collaboration with avant-garde composer John Cage. Synopsis Merce Cunningham was born on April 16, 1919 in Centralia, Washington. He later joined Martha Graham's dance company and choreographed his own works using music from composer John Cage, who became his partner. In 1953, Cunningham formed his own company and garnered wide acclaim over the decades for his innovations while also collaborating with other artistic visionaries. He died on July 26, 2009. Early Life Born on April 16, 1919, in Centralia, Washington, Mercier Philip Cunningham became one of the most innovative and influential choreographers of the 20th century. He took up dancing at a young age. "I started as a tap dancer, " he told the Los Angeles Times. "It was my first theater experience, and it has stayed with me all my life. " In his teens, Cunningham studied with Maude Barrett, a circus performer and vaudevillian. He briefly attended George Washington University before enrolling at the Cornish School of Fine Arts in Seattle in 1937. There he met composer John Cage, who eventually became his partner in life and work. Cunningham changed majors during his time at Cornish, switching from theater to dance. He choreographed his first dance pieces while at the school. Career Highlights A gifted dancer known for his powerful leaps, Cunningham was invited to join the Martha Graham Dance Company in 1939. He spent several years with the group, performing lead roles in such productions as El Penitente in 1939 and Appalachian Spring in 1944. Also in 1944, Cunningham debuted some of his solo works that he choreographed, including Root of an Unfocus, featuring music by Cage. Over the years, Cunningham developed his own unique choreography process. He created the choreography for his pieces separate from the music. The two elements were only combined during final rehearsals or at the time of the performance. Cunningham also liked to incorporate chance into his choreography, using dice and The I Ching to determine how the dancer should move. The following year, Cunningham left Graham's troupe to branch out on his own. He also continued to develop numerous solo pieces with himself as the dancer. Then in 1953, he established the Merce Cunningham Dance Company. Cage composed the music for many of the company's productions. Artist Robert Rauschenberg worked as a designer early on. Later Cunningham collaborated with other artists, including Andy Warhol and Roy Lichtenstein. Cunningham first found great acclaim for his avant-garde works abroad. His company wowed audiences in London in 1964 during their first international tour. As the years progressed, Cunningham kept looking for new ways to innovative. He started to choreograph using a computer animation program in the 1990s. He told the Los Angeles Times: "The computer allows you to make phrases of movements, and then you can look at them and repeat them, over and over, in a way that you can't ask dancers to do because they get tired. " Death and Legacy Cunningham celebrated his eightieth birthday with a special duet with Mikhail Baryshnikov at New York's Lincoln Center in 1999. By this time, he had become physically fragile but was still as imaginative as ever. Cunningham debuted Biped that same year, which incorporated computer-generated imagery alongside his dancers. Cunningham created several more dance pieces before his death. He passed away of natural causes on July 26, 2009 at his home in New York. His namesake dance company went on a two-year tour after his death as a tribute to the great choreographer. After the tour, the company closed its doors. The Merce Cunningham Trust was established to preserve his works, including more than 150 dances, and his legacy. During his nearly 70-year career, Cunningham received numerous honors. He won two Guggenheim fellowships—in 1954 and in 1959. In 1985, Cunningham received the Kennedy Center Honors and a MacArthur Fellowship. He also was granted several honorary degrees from such schools as Bard College and Wesleyan University.

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